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El Infierno Musical – El Infierno Musical: A Tribute to Alejandra Pizarnik

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You know who you are. It was a gust of crisp, clean air that nearly stole my breath before filling me like phone of recharge. Waiting for nothing but music and allowing the pain—the pain that vibrates in forms too beautiful and treacherous—to reach down into the depths. In the meantime, can I just say how opposed I am to all of this? There is an ars poetica sense to her poetry that examines the why, or the void that must be filled, by the thirst for words. At the height of happiness, I have spoken of a music never heard before.

El infierno musical

If only I could live in a continual state of ecstasy, shaping the body nusical the poem with my own, rescuing every phrase with my days and weeks, imbuing the poem with my breath while feeding the letters of its every word into the offering in this ceremony of living. Her words are simply exquisite, a fine wine to get gloriously drunk upon.

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What a cause for celebration. Mortal Ties Infieeno single thought cast out words like lifelines at sea.

Making love inside our embrace implied a black light: The rhythm of our bodies disguised the flight of the ravens. The rhythm of our bodies carved out a space of light inside that light.

Pizarnik is a potent and perfect voice not just of Latin American poetry but for all of poetry.

It is one filled with demons lurking in the darkness, but also one where language builds a warm blanket fort to keep you safe. Reading Alejandra Pizarnik is like coming back to life. The body remembers love like the lighting of a lamp. If silence is temptation and promise. View all 6 comments. I’m not a big fan of writing about writing, particularly about oneself writing; nor am I so big on the elemental symbols–water, fire, light, darkness and so on–being used unironically.

But if you must do these things, know that Alejandra Pizarnik has done them better than you ever will: Less transcendental, more practical than Celan, like that one scene in Piarnik the Silver Globe.

Jul 29, Ernesto Castro Herrera rated it it was amazing Shelves: Esta es Pizarnik en toda su gloria depresiva y fabulosa. Feb 07, Noor Al-Samarrai rated it it was amazing. Wonderful in translation, can’t imagine how much tastier it must be in the original spanish.

Dec 02, Cloud rated it it mksical amazing. Mar 08, Christian Russo rated it it was amazing. Feb 20, Anna rated it it was amazing. In Yvette Siegert’s savvy translation.

ALEJANDRA PIZARNIK EL INFIERNO MUSICAL () | lucas barbes –

Estaba abrazada al suelo, diciendo un nombre. Shvaugn Craig rated it really liked it Aug 10, Hasan Makhzoum rated it it was amazing Jun 15, Evan rated pizanik liked it Jul 22, Catalina Uribe rated it really liked it Sep 27, Matthieu rated it liked it Dec 02, Julien Fischer rated it it was amazing Oct 12, alejancra Josefina rated it it was amazing Jul 03, Gabby rated it really liked it Oct 08, Virginia Palavecino rated it really liked it Dec 14, Cecilia Trovato rated it it was amazing Jan 29, Alejandro rated it really liked it Aug 20, Francisca Pageo rated it it was amazing Jun 07, Mescalina rated it it was amazing Oct 03, Daniela Serrano rated it it was amazing Jan 30, Andreagrr rated it musjcal liked it Apr 07, Xander rated it it was amazing Jun 08, There are no discussion topics on this book yet.

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Born in Buenos Aires to Russian parents who had fled Europe and the Nazi Holocaust, Alejandra Pizarnik was destined for literary greatness as well slejandra an early death. She died from an ostensibly self-administered overdose of barbiturates on 25 September A few words scribbled on a slate that same month, reiterating her desire to go nowhere “but to the bottom,” sum up her lifelong aspiration as Born in Buenos Aires to Russian parents who had fled Europe ,usical the Nazi Holocaust, Alejandra Pizarnik was destined for literary greatness as well as an early death.

A few words scribbled on a slate that same month, reiterating her desire to go pizarnk “but to the bottom,” sum up her lifelong aspiration as a human iinfierno and as a writer. The compulsion to head for the “bottom” or “abyss” points to her desire to surrender to nothingness in an ultimate experience of ecstasy and poetic fulfillment in which life and art would be fused, albeit at her own risk.

Other books in the series. New Directions Poetry Pamphlet 1 – 10 of 16 books. Books by Alejandra Pizarnik.

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